Hi, this is zzyw. zzyw is a new media art duo founded at 2013 by Yang Wang & Zhenzhen Qi when the two got married after they met each other at ITP.
zzyw makes Digital Interactivity and Computational Artworks, if you ask in terms of what are they, they include video games, installations, apps, websites and much more.
Zhenzhen and Yang work together a lot, but they also create their own projects.
Contact us at firstname.lastname@example.org
For studio visit, please send us an email for appointment
Nov. 2018 -> Feb 2019, Power Station of Art 上海当代艺术博物馆, Shanghai, China | Exhibition: Bad Code
July, 2018 3LD Art & Technology Center, New York, NY, US | exhibition: .Zip Season 2
March, 2018 La Mama Galleria, New York, NY, US: | exhibition: REFEST 2.0
Feb. 2018 3LD Art & Technology Center, New York, NY, US | exhibition: UNCOMPRESSED VOL2
Sep. 2017 Riverside Art Museum, Beijing, Chinas | exhibition: 瞳色幻想
Sep. 2017 Culture Hub, New York, NY, US | exhibition: Selfie
June, 2016 Chinatown Soup, New York, NY, US | exhibition: LENNA
May, 2016 BHQFU Gallery, Brooklyn, NY, US | exhibition: Media Land
Apr, 2016 BHQFU Gallery, Brooklyn, NY, US | exhibition: Calm Before/After the Storm
Aug, 2015 Governor’s Island, New York, NY, US | exhibition: Governor’s Island Art Festival
June, 2015 Saranac Gallery, Spokane, WA, US | exhibition: ZERO
May, 2015 The Laboratory Gallery, Spokane, WA, US | exhibition: The Introspective Game
July, 2015 FLEX Gallery, Shanghai, China | exhibition: The Introspective Game
Sep, 2014 Microsoft, New York, NY, US | exhibition: The Future Interfaces
July, 2013 Alys Beach, FL, US Digital Graffiti Finalist
2018 Mar. The Ambition of Interactive Arts 交互艺术的野心 on BLINK Magazine
Apr. 2018 ThingThingThign at Columbia University, Teacher’s College, New York, NY, US
Apr. 2018 ThingThingThign at Asia Art Archive in Ameraica, Brooklyn, NY, US
June. 2017 New Media Arts for the People at 706 Space, Beijing, China
Aug. 2017 Future Media Arts at LIDO Art Space, Guangzhou, China
May. 2017 Generative Arts at Creative Tech Week 2017, Queens, New York, US
2018 Art Games at Baruch College, New York, NY, US, Professor: Zhenzhen Qi
2017 to Now New Media, New Form at Columbia University, New York, NY, US, Professor: Zhenzhen Qi
Oct. 2017 Visual Programming and Interactive Arts at Guangzhou Academy of Fine Arts, Guangdong, China, Professor: Zhenzhen Qi and Yang Wang
2016 to Now Digital Interactivity at Baruch College, New York, NY, US, Professor: Zhenzhen Qi
2015 to 2016 Interactive Web at Borough of Manhattan Community College, New York, NY, US, Professor: Zhenzhen Qi
Apr, 2018 电视台 Sinovision 采访 Studio Visit: ZZYW
June, 2016 Beautiful Bizarre Article
June, 2015 Shanghai International Channel Interview
June, 2015 Creative C (创意中国) Article
May, 2015 Spoksman Review Article “Out of Body Experience”
Yang is a new media artist based in Brooklyn, New York. Through his computational art practice, Yang relates the systematic and analytical side of computer algorithm to the generative and aesthetic. His work critiques notions that invites closer examinations, or produces poetic images. Yang is also an independent designer and a computer software programmer. He has helped many art institutions create large-scale, high-profile interactive installations. Such as the ArtLens Exhibition for Cleveland Museum of Art, Emissary Trilogy and BOB for artist Ian Cheng exhibited at MOMA PS1 and Serpentine London respectively, Computer vision mobile app for the artist Yung Jake, a large-scale interactive experience Exhibit: Growth for west coast based Umpqua Bank, and many more.
Yang holds a BFA of Artistic Design from University of Science and Technology Beijing, and a MPS in Interactive Media Arts from Interactive Telecommunication Program (itp) from New York University (NYU).
汪洋是⼀位新媒体艺术家，现居纽约。作为一名程序艺术家，汪洋尝试同时在作品中表达出计算机代码语言的系统性和分析性，以及它的生成性和审美性。他的作品批判模糊的概念，或者制造诗意的图像。 洋也是一位专业程序员和设计师。他曾帮助多家知名艺术机构，美术馆和品牌创作⼤尺寸的数字互动艺术装置。例如克利夫兰美术馆 (Celveland Museum of Art)的交互画廊ArtLens展览；美国艺术家郑曦然 (Ian Cheng) 在纽约现代美术馆 (MOMA PS1)，和伦敦蛇形画廊 (Serpentine Gallery)的个展，以及与美国嘻哈艺术家Yung Jake合作为AT&T创作的人工智能移动App等等.
Zhenzhen is a computational artist and educator. She is fascinated by employing computational languages to create alternative images that’s slightly bizarre, where patterns are shifted, expectations are broken, and a larger system emerges. Zhenzhen is currently a doctoral candidate at Columbia University, studying and practicing new media art education. She is an adjunct assistant professor at The Fine and Performing Arts department at Baruch College, teaching Digital Interactivity since 2015, and Art Game since 2018. In her artistic and pedagogical practice, she tries to spaces to contain real feelings, positive or negative, conscious or unconscious. She believes that real feeling is the starting point of relation, discourse, and meaning making.
Zhenzhen Qi holds a BS of Applied Mathmatics from University of California, Berkeley, and a MPS in Interactive Media Arts from Interactive Telecommunication Program (itp) from New York University(NYU).
贞贞是⼀位新媒体艺术家和教育家。她着迷于利用程序语言来创造另⼀种稍微怪诞的图像–模式被转移，期望被打破，⼀个更大的系统展现出来。贞贞⽬前在哥伦⽐亚⼤学攻读博士，学习和实践新媒体艺术在高等教育环境中的实施。她是纽约巴鲁克学院 (Baruch College) 的客座教授，从2015年年开始教授“数字互动“(Digital Interactice)课程，2018年开设“艺术游戏“(Art Game)课程。在她的创作和教学过程中，她试图建立出能承载真实感觉的空间，正面或负面，有意识的或无意识的。她认为真实的感受是关系，讨论，及创造意义的初始点.
Zhenzhen Qi’s practice blog ( ZZ’s recent experiments and teaching notes ):
Zhenzhen’s portfolio site:
At 2016, after they moved from Chinatown, Manhattan to Williamsburg, Brooklyn. They converted their loft-y new home to an event venue Discourse.
Discourse is a pilot practice of alternative education.It promotes empirical and spontaneous exchanges and evokes for a new form of convergence. The project was initiated by Yang Wang and Zhenzhen Qi in 2015, in Brooklyn, New York. Discourse is a place for gathering, a space to play video games, fall asleep, and share breakfast. It nurtures the mundane interactive connectivity, investigates subtle integration of everyday conversational sphere, as well as encourages and traces improvised spoken verse. Discourse expands the forms of thought exchange instead of formal analytical and reactive argument.